An enigmatic magician living in an abandoned amusement park introduces magic into the life of a high schooler struggling with harsh realities.

A magician, aided by his talking magic bunny, joins forces with his previously estranged magician father, and together they fight the forces of evil to protect the art of magic.

This four-hour historical documentary blends film footage, stills, literature and artifacts to paint a complex picture of the role that legerdemain has played down through the centuries.

Dutch presenter Astrid Joosten travels the world to find out why Anne Frank's written words in her diary still inspires hope and regardless of own circumstances, works for unity and peace.

Herself must stop an evil king from upsetting the balance of nature in this animated adventure.

An in-depth examination of the complete production of The Hitchhiker's Guide to the Galaxy (2005).

The Magic City, by Director R. Malcolm Jones, is a motion picture based on hope and resilience played out in a coming of age story laced with sometimes insurmountable tragedies and exhilarating adventures. Characters Tiana, Nia and Amiya initially adversaries, forge a lifelong friendship through hope and adversity in one of Miami’s gritty and unforgiving neighborhoods, Liberty City.

A group of kids on a field trip shockingly discover the bodies of missing children. Their alarming discovery leads to a small western town where the mystery of the slain children's disappearance has created an environment of suspicion and distrust. A curious reporter from the city arrives in town and bribes a bar owner to divulge everything she knows. Gradually, the pieces of this disturbing puzzle; deception, adultery and secret bonds, start falling into place. They hold the key to the mystery of the murdered children.

In addition to the insight provided by performers who knew Vernon, including Max Maven, Herb Zarrow, John Carney, Jackie Flosso, Ricky Jay, Steve Freeman and Persi Diaconis, it was an important opportunity for Vernon's children, Edward and Derek Verner, to share their own thoughts and feelings about their father, the magician. It also featured black-and-white silent footage of a younger Vernon demonstrating sleight-of-hand which we had converted and professionally retouched for the film. While the film was very well received, it was only available briefly for purchase as a VHS cassette, which was subsequently pirated. The film pops up regularly online, always low-quality copies of copies shared without any credit to those who made the project possible.

Series looking at the revolution in 20th century music. 　　Wrecking Ball 　　It begins by examining the shift in the language and sound of music from the melodies and harmonies of giants such as Mozart, Haydn and Brahms into the fragmented, abstract, discordant sound of the most radical composers of the new century - Schoenberg, Webern, Stravinsky and beyond. It examines how this new music was a response to the huge upheaval in the world at the start of the 20th century, with its developments in technology, science, modern art and the tumult of the First World War. Featuring performances of some of the key works of the period, performed by the London Sinfonietta, members of the Aurora Orchestra and composer and pianist Timothy Andres, the story of this episode in music history is brought to life through the contributions of the biggest names in modern classical music, among them Steve Reich, John Adams, Michael Tilson Thomas, Pierre Boulez, George Benjamin and Alex Ross, music critic of the New Yorker. 　　Free for All 　　Part 2 examines how the freewheeling modernism that had shocked audiences in the first two decades of the century came under state control. Initially, many practitioners thought the totalitarian regimes would be good for music and the arts. What followed in Germany was a ban on music written by Jews, African-Americans and communists, while in the Soviet Union there was a prohibition on music the workers were unable to hum. After the cataclysm of the 1940s, a new generation of composers - Boulez, Stockhausen, Xenakis, Nono, Ligeti - turned their back on what they saw as the discredited music of the past and tried to reinvent it from scratch. Or, at least, from serialism, which became as much of a straitjacket as totalitarianism's strictures had been. But from this period of avant-garde experimentation, which many listeners found baffling and terrifying, came some of the most influential and radical musical innovations of the century. 　　Easy Listening 　　Series concludes with the focus shifting to the United States in the post-war years of the 1950s and beyond. Beginning with arguably the most notorious work of 20th century classical music, John Cage's 'silent' composition 4'33", it looks at how a series of maverick Americans re-invented the sound of classical music into a more simple form, bringing back harmonies and rhythms that made it increasingly popular with audiences across the world. It also examines how this music found its way into a spiritual realm, with the strain of pared-down religious composition that came to be known as 'holy minimalism'. From the Maverick concert hall in Woodstock, New York to an Orthodox cathedral in Estonia to a car park in Peckham, south London, the story is told by a stellar line-up of contributors including Philip Glass, Steve Reich, John Adams, Arvo Pärt and John Tavener.